Answer the question based on the passage given below.
The simply consecutive Complete Edition (CE) numbers did not reflect the individual works (Opus numbers) into which compositions were grouped, Fanna numbers were often used in conjunction with CE numbers. Combined Complete Edition (CE)/Fanna numbering was especially common in the work of Italian groups driving the mid-20th century revival of Vivaldi, such as Gli Accademici di Milano under Piero Santi. Despite the awkwardness of having to overlay Fanna numbers onto the Complete Edition number for meaningful grouping of Vivaldi's oeuvre, these numbers displaced the older Pincherle numbers as the (re-)discovery of more manuscripts had rendered older catalogs obsolete.
According to the passage, which of the following statements highlights the problem regarding the usage of the Combined Complete Edition (CE)/Fanna numbering?
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